2020s
2020s
Beverly Hills Cop Campaign for Netflix
A :60 spot during the NBA finals and extended social edits lead to 8 million views and PR impressions.
Dupe Campaign for OLAPLEX
Despite claims from competitors, OLAPLEX’s 160 technology patents can’t be duped. We created a fake brand, and had influencers lie to prove it.
79 Million Hashtag views
200k+ Engagements
Digiday Award for Best Use of TikTok
Goth Target Social Campaign
After going viral for their gothic location in Chicago, Goth Target was built in Meta’s Horizon Worlds to allow goths everywhere the chance to float the aisles.
44 Million Views
222K Engagements
Glass Onion Campaign for Netflix
Creators use a custom audio track and a wardrobe transition to invite fans of the cozy Knives Out on a vacation with Glass Onion.
Mutant Mayhem on Paramount+
The lore for this ad is too extensive to type. Buy me an unsweet tea, and I’ll share.
Brand Campaign for Hasbro
Younger generations aren’t big fans of capitalism, and that’s a problem / opportunity for Monopoly. This brand campaign leverages an original song to explore what capitalism brings out of us all.
922k Engagements
100 Million Views
1400 Sound Uses
Damsel x Tough Mudder for Netflix
This movie is fun! A teenage version of The Descent, but instead, Love Simon throws Princess MBB into a cave. Most of the team had to watch this with unfinished dragon vfx, but they were done when I got a screener.
Oak Cliff Film Festival Photography
Creative director Nick Denman needed a photographer for their latest OCFF campaign, and I don’t need an excuse to spend the day at Texas Theatre. Images were used for festival print materials and social content.
Branding for Sheco Farm
My aunts Sherry and Nico have the cutest farm outside of Dallas. You can see them find it on The Property Brothers new show Chasing the West.
2010s
2010s
Social Strategy for Smoothie King
While most smoothie companies lead with “treat yourself” content, a new strategy for Smoothie King focused on an active lifestyle, fresh ingredients during product launches, and humor.
TV Campaign with Havertys
After many almosts, this was my first TV campaign as an art director. Thank you 3Headed Monster. At a production dinner, I did ask our director Theodore Melfi about working with Kirsten Dunst in Hidden Figures.
Endless Apps with TGI Fridays
Fridays was my first client out of college. Working at their AOR, I spent two years on the brand.
Highlights include being a part of the industry changing promotion “Endless Apps” (IYKYK), launching their Tumblr and Snapchat accounts, but most of all—The Lapkin. Please about me about The Lapkin, and the drone.
Free Press
2000s
2000s
CMYK Magazine #51 • Top 100 New Creatives
My first student campaign in college was for Boos Block. Luckily my chef Aunt Nico had one, and I was able to shoot the ad myself with friends.
It was later featured in CMYK Magazine as part of their student showcase.
Currently freelancing to finish my first movie.
hello@ericorange.com
Let’s work together.













